Terry Smith, born around 1956 in London, is an esteemed artist who has left an indelible mark on the art world. Trained at Goldsmiths Art school in the late seventies, Smith's artistic journey began in Deptford, a vibrant neighborhood at the heart of the punk movement. It was during this time that he honed his craft and developed his unique style.
Smith's early works focused on making wall cuts into buildings and museums, transforming forgotten spaces into stunning pieces of art. His creations breathed new life into derelict structures, revealing the beauty within the overlooked. Notably, he has left his mark on renowned institutions such as The British Museum, The Tate, and the museum of modern art in Barcelona.
However, as an artist continually seeking new avenues for creative expression, Smith has since ventured into performance and dance. This progression showcases his versatility and willingness to push boundaries. Through these mediums, he weaves together movement, gesture, and visual art, captivating audiences with his compelling performances.
In 2008, Smith's exceptional talent and impact on the art industry were recognized when he received the esteemed Paul Hamlyn Award. This prestigious honor served as a testament to his remarkable abilities and the profound influence he has had on the artistic landscape.
Today, Terry Smith resides in the charming coastal town of Folkestone, where he continues to create thought-provoking and captivating artwork. Whether carving shapes into walls or captivating audiences with his dynamic performances, Smith's artistry remains a testament to his unwavering creativity and his ability to transform the ordinary into the extraordinary.

Amongst his impressive portfolio, there is an iconic chapter in Smith's career that unfolded during the renovation of the Tate Turbine Hall in 1996. During this transformative period, Smith seized the opportunity to leave his indelible mark on the walls and spaces of the soon-to-be Tate Modern. The enigmatic nature of his artwork was guarded with utmost secrecy, entrusted only to the privileged eyes of Tate staff and a select few individuals. It was a hidden treasure, concealed beneath the layers of an evolving architectural masterpiece.
Months later, Smith's groundbreaking works at the Tate Modern were unveiled to the public through an exhibition held at the South London Gallery. Curious onlookers were captivated as they explored the depths of Smith's imagination, as depicted in the "Inside Bankside" showcase during the summer of 1996. His cut outs, skillfully crafted and intricately placed, breathed new life into the spaces they once inhabited, leaving an enduring impression on everyone fortunate enough to witness their raw beauty.
Not limiting himself to the Tate Modern, Smith left an intriguing mark on the esteemed British Museum as well. In 1995, he seized the opportunity to bring his unique artistry to this renowned institution. With his trusty tools and unwavering creativity, he meticulously carved cut outs into the walls, transforming the museum's atmosphere through his captivating installations. Visitors were able to experience the harmonious dialogue between antiquity and contemporary expression, as Smith's creations seamlessly merged with the historic surroundings.
Terry Smith's artistic journey has been nothing short of remarkable. With each cut out he meticulously creates, he brings forgotten spaces to life, imbuing them with a sense of wonder and intrigue for all who are fortunate enough to experience his artistry. His ability to transform the familiar into something extraordinary has solidified his place as a visionary artist, forever leaving an indelible mark on the world of contemporary art.

Smith's first major retrospective exhibition, Parallax, took place at the John Hansard Gallery in Southampton from December 2011 to January 2012. Notable works include The Foundling, a video-audio installation commissioned by Gill Hedley for the Foundling Museum. Smith has exhibited extensively in the UK and South America, including at the Instituto de Artes in Porte Alegre, Brazil, the Museo de Bellas Artes de Caracas in Caracas, Venezuela, and the Museo X-Tersea in Mexico City. Some of Smith's solo exhibitions include Fault Line at the Museo de Arte Contemporaneo in Mexico City (1999), Marking Time at Lux Gallery in London (2000), and One thing leads to another at Studio 1.1 in London (2004). Smith's publications include Marking time (2000) by Nuova Icona in Venice. In addition to his artistic pursuits, Smith is involved in various other activities, such as being a founder member of Human Rights TV, The experimental Art School, workinprogress, and the new Strangelove film festival. He is also the lead artist of Venice Agendas and is active in several different platforms.